Broken Pieces

Showing posts with label Humor. Show all posts
Showing posts with label Humor. Show all posts

All About Moxie from MOXIE'S PROBLEM by Hank Quense @hanque99 #Humor #Camelot #SciFi

Wednesday, December 31, 2014


What inspired me to write Moxie’s Problem

I first developed a version of the Moxie character more than ten years ago. Originally, she was the protagonist in a short story. The story never sold, nevertheless I loved her character and I was determined to get her to star in a story.

I developed Moxie’s character for a novel that would include Moxie’s development from a spoiled brat to a formidable woman.

While I was writing Moxie’s Problem, it occurred to me why I couldn’t sell the short story. The problem with the short story was that Moxie was a whiney, obnoxious, teenage brat. Not a good choice for a protagonist. The difference between Moxie in a short story and Moxie in a novel is this: in the novel there is room for Moxie to grow, to learn important lessons and to change. These changes can’t be pulled off in a short story, there simply isn’t room for such complicated issues. So, Moxie’s Problem really is about Moxie growing up and facing a reality that is quite different from life in her father’s castle. Part of Moxie’s learning experiences occur when she is escorted by three apprentice Knights of the Round Table. The knights don’t care about her nobel birth, a shocking revelation to Moxie, and they ignore her commands. This forces Moxie to reflect that people outside the castle think differently that the nobles who attend her father’s court. Once she starts to examine issues like this, there is no stopping her from observing other facets of life outside the castle. This leads her to realize she isn’t trained to do anything except exist and possible give birth, but always under the supervision of an adult male, either her father or a husband. Moxie finds this situation repugnant and she develops a plan to become independent.

That last sentence is a recap of the novel from Moxie’s perspective. Another main theme is the development of Percivale, one of the apprentice knights. And then there are the subplots that revolve around Camelot. The struggle between King Artie and the Saxon warlord Hengist for domination in British football is one such delightful subplot. Another is the Knights of the Round Table (KRT Inc.) a for profit organization that has money problems. Still another is Merlin delving into the Magic of the Mind using ink blots on pieces of parchment.

With all these unique subplots going on, Moxie’s Problem really was a joy to write.

Moxie's Problem

Do you enjoy untypical coming-of-age stories? Well, you won’t find one more untypical than Moxie’s Problem. Moxie is an obnoxious, teen-age princess who has never been outsider her father’s castle. Until now. The real world is quite different and she struggles to come to grips with reality. The story takes place against a backdrop of Camelot. But it isn’t the Camelot of legends. It’s Camelot in a parallel universe. So, all bets are off!

Buy Now @ Amazon & Smashwords
Genre – Fantasy, Sci-fi
Rating – G
More details about the author
Connect with Hank Quense through Facebook & Twitter

Jesse James and the Secret Legend of Captain Coytus by @AlexMueck #AmReading #Humor

Wednesday, April 30, 2014

Chapter 17 - Present Day
Baxter boasted, “If you Google the slang word for Johnson, you will find it’s synonymous with penis. The source of the reference is murky, and there are lots of theories, but the first recorded reference was in the 1860s. I believe I have now uncovered the origin of this urban legend.”
Professor Gladstone sighed, shrugged, and brought his right hand to his forehead as if he had a migraine. The summarization of the bar scene alone had Gladstone thinking of some good scotch he had back home. He half-wished he were drunk now.
Even if he’d been inebriated, he was not some sorority hussy. He could never fall for Baxter’s bullshit. Silly songs, college bar games, saucy dialogue, and nudity—the paper reminded him of some cheesy porn script covered over by a few historical clichés.
He recalled camping in rural Maine. At the one general store, one could get live bait, along with an assortment of goods, including playing cards, booze, condoms, and the four-pages-only local newspaper. It also had a small selection of rentable movies, half of which were porn.
Then he had been revolted by some of the titles: The perverted Dickens, A Tale of Two Titties; the Huxley bondage epic, Slave New World; the heroine Indian gangbang adventures of, Poch-a-Hotness; the make-love-not-war lesbian drama, Daughterhouse Five; Surecock Holmes in the “whore done it?”—The Mounds of Baskerville.
It was all so vile, but no more so than Baxter’s thesis.
Baxter had more to say. “All those songs were real, Professor Gladstone, except of course the one he made up on the spot. All those people, John Edwards, Little Archie, Frank James, Badger Bob—they existed.”
Professor Gladstone took his hand from his head and pointed at the student. “The first three names I’m well familiar with, but this Badger guy is likely your own creation—along with the rest of the bit characters.”
“What about the main character, Captain Coytus?”
The pounding against his skull intensified. He closed his eyes for several seconds and willed this nightmare to end. Continual harping about this Captain Coytus reminded him of a matter with his only son, Theodore. For almost a year, his son had insisted a monster lived in his closet. No matter how many times the room was inspected and the closet cleared, when the lights dimmed, the monster returned.
How much more must Baxter’s frightful tale continue? The comparison brought something else to mind—the closet. Behind his office closet door lurked another monster, a deposit of Baxter’s mischief.
He spread his hands. “Mr. Baxter, I really have had enough for one day. We don’t need to rehash this sordid story. I’m at the point where I’ll give the paper a D- grade just for your conviction. Will a passing grade and graduation from Harvard be enough to send you on your way?” His furrowed brow etched with hope.
“It certainly will not,” an insulted Baxter replied.
Professor Gladstone massaged his temples. “How about a C?”
Baxter straightened. “For this magnum opus, I will take nothing less than an A+.”
With vigor that bordered on panic, Gladstone shook his head, holding both hands in a stop motion. “An A+ paper will be seen by fellow professors. If this was ever to see the light of day, I would be ruined with ridicule.”
The student grimaced. “I plan on publishing this. Consider yourself lucky that you got a sneak peak.”
“Publish?”
“I owe it to the academic world. I came here expecting at minimum, praise, but I never considered that you’d be envious of my work.”
Heat swelled into his cheeks, and he gripped the armrest of his chair until his nails turned white. “Envious?”
Baxter nodded. “Jealousy is the only explanation I can fathom for pretending to ignore the obvious.” He paused, raised an eyebrow, and asked, “You’re not trying to play dumb, only to steal this scoop for yourself, are you?”
To think he, a professor, would ever author something so maniacal! “I would never—”
Baxter cut him off. “It’s unethical.” And tapping his chest, he continued. “Unlike me, you do not possess the evidence to make the case.”
Like an electrical eel that keeps shocking its already dead prey, Baxter kept zapping away. Professor Gladstone’s brain buzzed but felt short-circuited, as though he couldn’t quite bridge the gap between what was happening and what should have been happening.
“Anyway, at least I don’t have to offer you the privilege of penning the foreword. I felt obliged, being your student. There are plenty of other more acclaimed historians who surely will jump at the chance of having their name associated with this surefire seller.”
Baxter paused for just a second and continued. “I could have placed a review from you on the back cover. Naturally, I would have been happy to return the favor for one of your future endeavors, but it’s your loss on mutual prestige.”
This was beyond cocky; the lad suffered from delusions of grandeur.
Yet he wasn’t finished. “I can see the book tours. I suspect you could meet a lot of women on the road. They dig that intellectual, author thing.” He stopped to observe Professor Gladstone and then quipped, “Well, usually.”
After leaning back and with a cocky smirk, he shrugged. “If you ditch that comb-over and your Mr. Rogers’s sweater-thing, you might reel in a few ladies yourself. Try suspenders; they seemed to work for Larry King. Speaking of which, he might come out of retirement just to interview me.”
Professor Gladstone instinctively moved his wedding-ring-less hands below his desk. His marriage lasted six years, gave him a son, and then his wife left him, claiming he was a bore. He took Baxter’s insults like the anesthetized take pain. The absurdity was heaped in such rapid fashion it was mind boggling. Nothing registered. The boy had to be done with this bravado … he hoped.
Baxter preened. “I’ll do what J.D. Salinger should have done—quit after the first book. Sometimes you only have one classic in you.”
“Indeed,” Professor Gladstone offered at last. “What is this proof you speak of? I want evidence that this Captain of yours existed.” 
““A historical fiction comedy that packs as much heart as humor.”
—Michael Dadich, award-winning author of The Silver Sphere
When a Harvard history professor receives a thesis paper titled Jesse James and the Secret Legend of Captain Coytus, from Ulysses Hercules Baxter—an underwhelming student—he assumes the paper must be a prank. He has never read such maniacal balderdash in his life. But after he calls a meeting with the student, Professor Gladstone is dismayed when Baxter declares the work is his own. As he takes a very unwilling Professor Gladstone back in time via his thesis, Baxter’s grade hangs in the balance as he attempts to prove his theory.
It is 1864 as philanderer and crusader Captain Coytus embarks on a mission to avenge his father’s death and infiltrates the Confederate Bushwacker posse looking for the man responsible, Jesse Woodson James. Accompanied by the woman of his dreams, Coytus soon finds himself temporarily appointed to be the sheriff of Booneville and commissions his less-than-loyal deputy to help him carry out his plan.
But when tragedy strikes, the Captain is forced to change his immature ways and redefine his lofty mission—more or less.”
Buy Now @ Amazon
Genre - Humor, Historical Fiction
Rating – R
More details about the author
Connect with Alex Mueck on Facebook & Twitter

#Author Bryan Taylor & What He Thinks About Self-Publishing (#AmReading #Humor)

Tuesday, February 4, 2014


How do you feel about self-publishing?
Since I self-published my book, I obviously support it.  Self-publishing enabled me to get my book published the way I knew it needed to be published.  Self-publishing gets a bad name because of the bad content that is out there.  I downloaded a book from Smashbooks last week that was not edited and virtually illegible.  That gives self-publishing a bad name.  Nevertheless, if you don’t know someone on the inside track of mainstream publishing, or you aren’t already a celebrity, publishing mainstream is virtually impossible.  For this reason, I’m glad self-publishing is a viable alternative.
When you get free time on the internet or you go to the library – what do you want to read about?
Usually I prefer economics and finance, especially the historical aspects of each.  Outside of nuns, economics is my main preoccupation.
Last book you purchased? Tell us about it.
The last book I purchased was The Great Salad Oil Swindle about Tito de Angelis who ran a scam that bankrupted his company, got him sent to jail and nearly sank American Express.  I find stock market scandals and swindlers fascinating.
How has your upbringing influenced your writing?
Absolutely.  My dad was a preacher, and both my grandparents were preachers, and my grandmother wanted me to preach.  I rebelled against that and without that rebellion, my novel, The Three Sisters, would never have been written.  Also, my dad always encouraged me to excel and do my best and that helped me to achieve what I have done as well.
When and why did you begin writing?
My novel started as a serial I did back in college. A friend of mine gave me some pictures of nuns.  I turned one into a Wanted Poster, and the second into a story about nuns kidnapping an elderly couple.  I put them up outside my dorm room, and then people wanted to know what was going to happen next, so I started putting up more episodes and that provided the plot for The Three Sisters.  I wrote the novel while I was in graduate school, but since I didn’t find a publisher, I waited until self-publishing made it possible to provide the book to the mass market without having a mainstream publisher.
What genre are you most comfortable writing?
Satire and humor.  I love to make people laugh and love making fun of people who take themselves seriously.  Satire lends itself to doing this, and it gives you freedom to do things you wouldn’t be able to do in “normal” fiction.
How did you come up with the title?
The novel is about three nuns, so The Three Sisters seemed a natural, simple title.
Can you tell us about your main character?
There are actually three main characters since the book is about three former nuns who get in trouble with the law.  Coito Gott is the rebel who had religion shoved down her throat and rebels against her background.  She is the most sacrilegious of the three and also the wittiest and most incisive.  Theodora Suora is the opposite of Coito Gott and always wants to do the right thing.  She is risk-averse, intellectual, and loves Shakespeare and Bach.  She is organized while Coito loves anarchy. Theodora grounds Coito, and though Coito would never admit it, she needs Theodora to keep Coito from spinning out of control.  Regina is the most fun-loving of the three.  She had a close brush with death when she was a nun, so she wants to live life to the fullest.  She enjoys the exoteric while Theodora loves the esoteric.  She is a big fan of popular music, old movies, or anything having to do with popular culture.
How did you develop your plot and characters?
I first published two stories about nuns, a Wanted Poster and a story about three nuns kidnapping an elderly couple from photos a friend had given to me.  After I put these up outside my dorm room in college, people asked what was going to happen next.  I began “publishing” a new episode each week and this gradually laid down the plot of the novel, The Three Sisters.  In some cases I didn’t know what was going to happen next, but something always came to me.  It must have been divine inspiration.
There were three nuns in the original photo, hence The Three Sisters.  I differentiated them by endowing each with some aspects of my own personality, the rebel, the intellectual, and the lover of popular culture of the past.
Who designed the cover?
I conceptualized the cover.  The book takes place in Washington D.C. with three nuns, so I was able to put all those elements into the cover.  They walk on water and have sexy habits so the sacrilegious part is illustrated there.  Moreover, if you look, the clouds around the Washington Monument form a cross.  I had a great illustrator, Brent Schreiber, who was able to convert my concept into reality.
Who is your publisher?
My publisher is Dragon Tree Books. I had contacted Erica Orloff to edit my book, and she also provided a publishing service. We worked well together on the editing of the book, so I decided she would be a natural to help get the book published.  She was very supportive of my ideas and my book in ways I think would have been difficult to achieve through a mainstream publisher, and I appreciated that.
What was the hardest part about writing this book?
The book has quite an unusual plot in every aspect, so the hardest part was making the characters and plot credible without the reader going, this is strange.  The Three Sisters is one case where fiction may be stranger than truth, but I had to make sure the book was incredible, not incredulous. The book is set in 1979, and my version of what happened in 1979 significantly differs from what most historians would have us believe.

TheThreeSisters
Nuns just want to have fun! But when three former Catholic nuns have too much fun and get in trouble with the law, they become nuns on the run.
Driving back to Washington D.C. where they work at the Kennedy Center for the Performing Parts, the three sisters are arrested in Tennessee. After defeating the local deputy in strip poker, they escape from jail, and are pursued by the zealous Detective Schmuck Hole, who has personally offered a $10,000 reward for their capture on The 700 Club. Little do they know that when the three sisters visit the Washington Monument, their lives will change forever.
Set in 1979, The Three Sisters is a sacrilegious satire that skewers not only organized religion, but the government, the media, intellectuals, corporate greed and every other part of the establishment. Maybe not the greatest story ever told, but possibly the funniest.
Buy @ Amazon
Genre – Humor, Satire, Catholicism, Politics
Rating – R
More details about the author
Connect with Bryan Taylor on Facebook